| Space
I: February 2005 |
 |
| MESSAGES
FROM MAURO MANFREDI
with:
Fernando Andolcetti, Delio Gennai, and Elisabetta Gut
Book
Art Objects by Italian Artists
February
2 through 26, 2005
MESSAGES
FROM MAURO MANFREDI has been extended.
The FIDEM show, originally scheduled for March has been postponed
until April, 2005 due to unforseeable circumstances. |
 |
|
Excerpts
from press release:
Mauro
Manfredi passed away in October, 2004. At the time,
his work was being shown in the exhibition, A SHRIEK
FROM INVISIBLE BOX REVISITED II, at Medialia Gallery,
Space II. His and Fernando Andolcetti's work were
introduced to me by the influential Fluxus artist,
Takako Saito, who is based in Düsseldorf, Germany.
The news of Manfredi's death saddened me deeply,
because it occurred before I was able to introduce
his sensitive and unique work to the New York art
world. This exhibition, MESSAGES FROM MAURO MANFREDI,
is a prelude to a future retrospective exhibition
at Medialia ... Rack and Hamper Gallery. The opportunity
to know the works of Delio Gennai and Elisabetta
Gut came from Andolcetti and Manfredi. I was very
impressed by their extremely fine and poetic expression,
and accomplished technique. Their delicate expression
shows through concept, material, and craft. All
four artists have exhibited in museums internationally.
Mauro
Manfredi was born in 1933 in Parma, and
died in 2004 in La Spezia, Italy. Since the early
1970's his expression has suggested visual poetry,
particularly in book art. At the same time his passion
was then creating pseudo musical instruments. These
were created from an ironic and alchemic point of
view. Manfredi has had over 50 solo shows.
For the Meguro Museum SHRIEK exhibition catalogue,
Manfredi wrote of his work, DEATH OF THE WRITTEN
WORD:
| |
I
use the paper, cut in tiny stripes, like a support
for words. The words interlace in wefts and
warps, transform in sea waves, in field furrows,
in labyrinth-like passages and so on.
In the works the theme becomes death, death
of the written word. As a homage to the type
writer ribbon, at last to pass away, sucked
from the inside of the container--book like
a ³spagetto² by an avid mouth. Homage
to Mishima in the form of a coffin for a text
about him. Finally, fragments of words cling
to the wreck of a book-ship. |
|
A
painter and musician, Fernando Andolcetti
was born in 1936, in Lucca, Italy. He lives and
works in La Spezia. Andolcetti's creative force
comes from music. His work is music made visual.
In the Meguro Museum SHRIEK exhibition catalogue,
he explains of his work:
| |
The
musical sign and the musical world in general
are the constants that characterize my work.
Mostly, I enjoy musical writing, both old and
modern, but I often use ironical puns. In the
three works there is a game between the musical
time and real time; between Schoen (beautiful),and
berg (top), in the object-book dedicated to
Schoenberg. The leaf pages are replaced by musical
pages, and in this way become leaf-sounds. |
|
Delio
Gennai
was born in 1948, in Pisa, Italy. He has received
a degree at Pisa University in art history. His
artistic inspiration came from his youth in the
historical city, Pisa, which is filled with the
marble decorations of religious art and architecture.
Recently, Gennai found his interest in the organic
world. For the Meguro Museum exhibition, he wrote
of his work, THE HANDLING OF CHROMOSOMES:
| |
This
installation is the output of metamorphosis
that recollects, by tuning their two work experiences.
On one hand it goes back to the cytological
technique of the graze when on the other it
goes back to the cells on botanical ages gathered
in the library from old botanical forms. The
work has been performed by using white board
and gauze, recollecting cytological wood and
glass boxes. |
|
Gennai
has had over 30 solo shows in Europe since 1982.
Elisabetta
Gut was born in 1934 in Rome, Italy. Gut
taught and worked in scenographic direction, and
costume design in the 1960's. Her work has been
shown in over 300 international biennials, museums,
and academic institutions worldwide.
Of one of her miniature stage-set works, MOON -
BIKE (subtitled Poem Object) Gut explains :
| |
A
miniature bicycle model clicks this chain of
thoughts:
wheel-circle-moon
All this in a dream-like atmosphere where truly
microscopic books, unreadable,
seem to be floating, their texts eclipsed. |
|
This
is the first time Manfredi, Andolcetti, Gennai,
and Gut have exhibited as a group in New York.
Mashiko
Nakashima
Director
Medialia ... Rack and Hamper Gallery
|
|
 |
|